Here
are some descriptions written by people who experience this phenomenon:
“I'm curious to know if others and indeed if all pianists see random images or think of certain things/people when they play a piece. I get it with every piece I play, but it's nothing that's connected to the style of the piece..it's much more abstract than that. (...) The last few pieces I've learned (and it's always at the same part of the piece) I have had flashes into my head of random images such as - a crocodile, my sister, a girl at my work who I have never spoken to, my friend's ex boyfriend (again..don't even know him that well), a boat on the water, a woman waiting for her husband to come back from war..and the word banana. (...) The only way I can describe it is as if you were recalling your dream from the night before and images flash into your head.”
(Source: this forum on the classical piano
website Piano Street. 2017.)
“I have
musical chromesthesia and usually see colors for music, but Bach's music tends
to be colorless for me. Instead of colors, I'll get images associated with some
of the sections (I never see a color and an image at the same time), and I need
to be actually playing the piece in order to see them. Also, once I gain muscle
memory for the piece, I won't see the images anymore (but the exact images come
back if I forget and relearn the piece).”
Jacqueline, the girl who experiences this phenomenon, has shared her perceptions with us in this fascinating video (2021), “How my synesthesia interprets WTC Prelude No. 6”. (There is also a direct link to see the video at the end of this page)
On learning to play an instrument
So for an example of the song I most experienced this with, Dancers on a String, I would remember the song in sections, like 2-5 notes, with an image and when I was playing the song I would mentally be like 'okay now is the pear part' without even realising how strange that was. Some of the specific imagery I would see consisted of:
- a red barn with many black widow spiders and clocks
- tiny little cubes of pear, like the texture of a pear and were light green
- someone big with their face like squashed against the screen as if I was looking through a camera
(…)
As you can see, these were bizarre.
In Swan Lake I associated one short section of like one or two notes with an old dust lamp you would find in like a grandmas home and it was yellow, and I associated another later section with like death hounds trying to chase someone.
I have no idea why I see these things so vividly, and I don't think it's unique to a certain note, as I play the same note in different songs and I don't see the same imagery. My dad suggested that maybe its how I remember certain patterns. I don't think I have this with actual music, or anything else. Its just specific to when I'm playing the keyboard and trying to remember how to play.”
(Source: This post on Reddit/Synesthesia. 2021.)
Autobiographical images
“I definitely experience this every time I play. I see random images from my childhood. And I mean random. One is looking under the sideboard at a neighbour’s house which must have been from when I was 6 or 7. Several relate to particular places in my old secondary school. Another is at the top of the stairs at my auntie’s house. It’s always the same set of places but there are probably about 100 different places. (…) It’s interesting that there are no images from after the age of about 13 or 14 which is when I stopped having piano lessons.”
(Source: This comment on Reddit/Piano. 2021.)
“I play in a band and (…) my fellow guitarist asked me how (…) I can seemingly remember chord sequences or parts of songs if I don’t play them for a couple of weeks. (…) I told him that I can remember parts because they are all people to me, and if I can remember the person I can remember the part. (…)
The whole
thing is involuntary and I can't influence how the personification presents
itself. Sometimes they are pretty vague personifications which I would struggle
to describe visually but will feel a certain way like a strong masculine
presence for instance. Others however can be very vivid and specific and I
could describe exactly as they appear physically and also what kind of person
they are.
Personifications
seem to be strongest for me with anything in the key of E.
I'm not
sure at what point the personification manifests itself, it's not something
I've been able to consciously pinpoint. It could be that is appears the very
first time I play a chord sequence and I only really become aware of it as I
repeat it or it could be that it takes a couple of plays through to manifest.
It's possibly a chicken or the egg situation.
As far as
I'm aware the personification doesn't grow stronger or fade in any way, they
manifest and remain the same regardless of how much I play the chords.
(…) The most
useful part is the strong association the personification and the music have
together, which means that I can remember chord sequences and guitar parts
easier than I may do otherwise. It can also be difficult giving up on parts
that don't fit or work in a song because I've this strange bond with them as
they are like friends to me in a way. I can let them go though as I know they
don't really exist."
(Source: This post and comments on Reddit/Synesthesia. 2023.)
This account is also related to Personification of musical sequences.
(Source: This post on Reddit/Synesthesia. 2021.)
The video "How my synesthesia interprets WTC Prelude No. 6”, by Jacqueline Cordes.
Go to the page on figurative images as a synesthetic concurrent
Go to the page on sexual (and romantic) synesthesia
Go to the page on musical synesthesias
Go to the page on auditory-visual synesthesia
Go to the page on personification of musical sequences
This post first published: 24 August 2021
This page last updated: 12 January 2023
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